Formed in 2012 in Kaohsiung City, Taiwan, the experimental trio Elephant Gym interlace various threads of jazz, electronic, and classical into a singular patchwork of contemporary math- and post-rock. At once evoking the towering, boisterous essence of elephants, and the acrobatic, dexterous nature of a gymnast, Elephant Gym’s sound feeds off tension and unlikely contrasts.
Elephant Gym songs often find bassist KT Chang as the lead voice, her nimble and expressive playing style a signature imprint of the Elephant Gym sonic character. Sibling Tell Chang meshes deftly on guitar and occasionally keys, with Chia-Chin Tu’s elastic drumming as a malleable anchorpoint between his bandmates’ funk-and-jazz-infused chops.
The trio’s tenure has seen the release of a handful of EPs and three full lengths, Angle (2014), Underwater (2018), and Dreams (2022), as well as a number of international and local collaborations that span the spectrum of the arts, ranging from theater productions to wind orchestras to traditional percussion ensembles.
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... fueled by their restless creativity, unrelenting drive to refine their abilities, and the emotional engine of their songwriting.
-NME on Dreams
hands-down the best album that Elephant Gym has ever made
-Fecking Bahamas on Dreams
Ever-active and melodious, bounding in arpeggios and other odd intervals, featuring infrequently-seen techniques like tapping, it's easy to see why the band have been able to stand out.
The rhythms and time signatures are complex and constantly changing, their music is primarily instrumental, and everyone in the band absolutely plays the hell out of their instrument....They’re adventurous with their structures and textures, and their most recent album, Underwater, dives into a world with constantly shifting borders, anchored by the band’s singular vision.
Musically, the trio have never stopped looking for common ground between Western rock music (math rock in particular) and traditional Eastern music. They see many similarities between the complexities of math rock and traditional music from Japan, India and Indonesia, as well as music from the indigenous Taiwanese, which is often filled with unusual time signatures and counterpoints.
-South China Morning Post
Carefully synthesizes elements of jazz, ambient, and post-rock into a groove-replete freeform introspection.